Divisions

Sunday, April 28, 2013

The stylings of paradise

Whatever you make think of the religion, the region, the people or the tenants of Islam, it's hard to argue against the beauty, intricacy and fascinating pattern work of Islamic art and architecture. From the high domes of the grand mosques to the swirling and dizzying line work of calligraphy and interior decoration, Islamic art can't help but affect the viewer and impress the power and majesty of the religion and its buildings onto them.

It is well known that Islam is preoccupied with attainment of paradise in the afterlife, but the mosque is designed to convey that sense to the living worshipers here on earth. Having seen a few mosques myself, such as the grand mosque in Najaf, Iraq, I can only say that they must be seen to be fully understood and appreciated. Words, pictures, and even this film cannot compare.

So, I leave you with this well done and compelling documentary about Islam's quest for paradise here on earth, all through the employment of art, architecture and spacial planning. Enjoy!

And in case you're still curious, here are a few links to further information about Islamic art, pattern work and architecture.

Patterns in Islamic art
Introduction to Islamic Architecture
Images of Islamic art

Thursday, January 17, 2013

Beach Weather II

After a nice bike ride yesterday, as I just mentioned, I can't help but be excited about someday becoming part of such a scene. Looking at the tar stones in the cliff side, I was impressed to think that all of the plants and animals that had once lived in the area were now there, hanging in the sandstone, still a part of the landscape. Now, I understand that it's more likely that those life forms came from all over the place and the oil composing their current state merely seeped up to that spot, but bare with me.  This year has been on of personal loss and death in the family, so my thoughts have often been on pondering those mysteries.

Back to what I'm getting at. When everything dies, it goes through a series of biological, chemical and erosive processes until, finally, its matter becomes integrated into landscape in which it fell. Our recent flurry of scientific inquiry and discovery has only affirmed the centuries old knowledge that all things are reintegrated into the whole, and that death is merely a transition. Just like the seasons, the tides and the sky, all things process forward with the great cycle, ever onward.

I hope that, someday, I get to be part of a wicked rad crystal. That would be cool.


Beach Weather

Being from Southern California and right on the coast, our winter weather is much more amicable to a long, leisurely bike ride. In fact, our weather usually lends itself to being out and about. Thus, the lack of activity around here. My apologies, and my thanks for all your visits and interest. You've no doubt noticed the changes, and rest assured they will continue until I get this place to where I'd like it.

Please do enjoy the new tabs, where I will be posting more music centered material and media as well as sharing the internet's imagery with Tumblr. There could even be more tabs in the future....

Monday, September 10, 2012

Orson Welles and Modern Art

I happened upon this classic 1977 documentary by Herbert Kline, narrated by Orson Welles, covering all the major movements and phases of Modern Art.

Delightfully stodgy and filled with a myriad of accents, ideas, styles and mediums, this in depth film highlights past and contemporary artists with ease and clarity, bringing this multi-faceted art style out from its own self designed obscurity and confusion. Enjoy!


Wednesday, May 30, 2012

Indo-European Jazz

Lloyd Miller, who specialized in Persian music, teamed up with a Jazz ensemble in the 1960's to make a fine hybrid of the two styles. So relax, and have some brain food to help with the verbosity of the last post. 


And here he is, doing some more traditional Persian music. Enjoy!


Thursday, May 24, 2012

Thoughts on "The People"

The idea of "The People," as conceived as a longstanding, aware, self identifying social unit, has been with human society since language first rose to prominence as the dominant tool of human cultural and interpersonal communication. While this subject could, and has, been discussed from an endless multitude of ethical, social, moral, historical, linguistic and cultural standpoints, I wish only to bring up some quotes from my recent reading.

First, Oswald Spengler from Decline of the West:
Concerning "higher and primitive" cultures: 
"In all primitive existence the "it," the Cosmic, is at work with such immediacy of force that all microcosmic utterances...obey only the pressures of the very instant.... But with the type of higher Culture this "it" gives way to a strong and undiffused tendency.Within the primitive Culture, tribes and clans were the only quickened beings....(In higher cultures), the Culture itself is such a being."
Here, the "it" can refer to anything really. The family and society, certain important objects, places or people, and even the cosmos itself. For Spengler, "primitive" culture is hallmarked by a lack of long term, "historical" in his terms, continuity beyond a few generations of related people with their own deities, culture and language. While modern studies raise a number of points of contention here, Spengler's point remains valid when compared with so named "higher" cultures. The institutions, buildings, languages and cultures of Rome, Persia, China and Ethiopia can all still be felt in the modern world, even if they are now ruined, changed or blended with subsequent influences. The deep, multi-layered spirituality of the Hopi, Dani, Sami-Lapps and the Chumash are only remembered because they made contact with historical peoples, who then recorded them as they were found. Before these tribal, clan and perhaps even kingship names were recorded, there exists nothing as far as history can be concerned beyond trash heaps and the remains of material items.
 Concerning "Historical" man: 
"...destiny must lie either in the zoological or in the world-historical field. "Historical" man...is the man of a Culture that is in full march towards self-fulfillment. Before this, after this, outside this, man is historyless."

The idea and concept of cultural fulfillment are a long running theme through out the book, so I will leave the reader to explore that on their own, or perhaps for another entry. I will simply say that, for Spengler, a culture only lives and flourishes so long as it works towards its cultural ultimate expression in ever way possible, and that after this is achieved, it starts to become static and perhaps even die, if over the course of centuries where it still appears to flourish.
And on the "People" themselves: 
"For me, the "people" is a unit of the soul. The great events of history were not really achieved by peoples, they themselves created the peoples. Every act alters the soul of the doer.... People are neither linguistic nor political nor zoological, but spiritual, units. And this leads at once to the futher distinction between peoples before, within and after a culture." 
For Spengler, the souls of some set or group of humanity are altered by the forces of history, landscape and culture that then mold them into a new people, a new entity on the historical stage. Indeed, the idea of history as a force is a major feature of Spengler's thought.

Now let us switch gears from Spengler's wide conservative, continental, far reaching historical, spiritual and metaphysical concepts to that of Walter Lippmann, a far more practical, politically minded American journalist.

Lippmann, writing in The Public Philosophy brings a more political view:
On "the People" as historic or political: "When we speak of popular sovereignty, we must know whether we are talking about The People, as voters, or about The People, as a community of the entire living population, with their predecessors and successors." 

Lippman later goes on to examine how "the men who rise up against freedom" come to be, and how the modern situation of isolation and removal from cultural and historical social sources of identity creates a new type of people, the so called "lonely crowd."
"...the modern man who find in freedom from the constraints of the ancestral order an intolerable loss of guidance and of support. They are the men who rise up against freedom, unable to cope with the insoluble difficulties and unable to endure the denial of communion in public and common truths."
For Lippman, the establishment or renewal of the "Public Philosophy," a subject that is itself beyond the scope of this article, and the means of its transmission, acculturation and permeation of public and private life are the hall marks of "the People" via his political outlook.


So here we have two differing, but not exactly opposed, conceptions of what "the People" means from two very different viewpoints. Lippmann would argue, from his modern, democratic, liberal view, that a people is made, maintained and served by their adherence to a public philosophy that serves to drive social participation, responsibility and consciousness. This is a very active, participatory conception as opposed to Spengler's notion of an identity and form imposed by outside events. For him, the spiritual aspects of the people and the culture determine all other facets, from language to art to science.

While both take diverging stances and approach the problem of the public, culture and "the People" from alternate stances, both., upon further reading, are essentially conservative in their response. The people must be exclusive, defined and limited both socially, historically and spiritually, and there is always a risk of cultural degradation, dissolution and reformation. For Spengler, it is the result of outside influence, divergence from the culture's true spiritual aim, or from an invisible cultural death in the form of civilization, fixed forms and decadence. For Lippmann, on the other hand, it is the weakening of public notion, awareness and action concerning itself, possible only in the liberal democracies of the West, that leads towards social apathy, isolation and then ultimately reactionary backlash in the form of "counter-revolution," Fascism and Totalitarianism.

Thank you for reading, and sorry for the great delay in posting! More pretty pictures and videos to follow.



Wednesday, May 9, 2012

From the High Plateaus

While navigating through a few documentaries on Youtube, I found this little gem about Tibetan Buddhism. It's lengthy, but well done and very informative about the topic, with a number of great interviews, including with The Dalai Lama!

I'll just let this one speak for itself, but do expect some commentary on various facets of so called "Eastern Religion" as compared to other belief and spiritual systems. Tantra, Meditation, Seidhr and Utsitr will soon follow!